Nippy deadlines and archive opportunities…

Conscious that I haven’t blogged for a while…some nippy deadlines out there at the moment…so please accept this image as a filler…a small token of my appreciation for dropping by. I’ll be back in a more meaningful capacity (such as it is), soon.

HeavyHead

 

 

 

 

 

 

 

 

 

 

 

Disclaimer: Some of my regular followers may recognise this image from a previous post; something about having a heavy head (the morning after the night before), but while you may feel short changed I would like to think you welcome the chance to re-visit the archives once in a while. As an illustrator of books I tend to deal in artwork re-use when convenient. Well, it is today. All I ask of you is to replace the ‘Heavy head’ tag with a new metaphor, something along the lines – balancing the weight of burden that is THE DEADLINE.

Thank you for your kind attention.

Under the watchful nose…

I’ve been been away from my desk quite a bit in recent weeks trying to honour as many of my event commitments as possible. I sincerely apologise to those people (schools and librarians), whose events I’ve been unable to attend and have therefore reluctantly had to cancel. A combination of overwork and the (unforeseeable), ongoing problems with my knee has limited what I have been able to do.

Douglas' nose

And now, I’m back at my desk. I have a book to finish in only a few short weeks;        Happy Birthday Hugless Douglas. The painting will start any day now, under the watchful eyes (or should that be nose) of a certain bear. Look out here for sneaky peaks of work-in-progress in the coming weeks.

OOPS!

OOPS! iphoneA good friend of mine took a tumble from his push bike yesterday and got quite a battering. Being a fan of the Windy Nibblers I thought I’d draw him this card. It might be a few weeks before he can hold it to the light…but he will.

Hang in there buddy!

A few ideas behind Hugless Douglas

I posted a version of this article recently, one of several guest bloggers, for The Walled Garden Hoo’s Kids Book Fest website in preparation for launch of the festival on Sunday 21st April. It touches on the early ideas behind Hugless Douglas and how the look of a character can change and morph as the story develops and that, despite my best efforts, this can continue once a book is published…

The idea for Hugless Douglas came about while reading to my son, who was four at the time. It began with a series of silly made up hugs. One particular night we were both yawning our way through a story and when we’d finished I said ‘It’s time for a Tired Hug,’ The next night we had a Lights-Out Hug. It snowballed from there really, with new hugs making an appearance over the next few days. The morning might start with a Breakfast Hug, then a little later a Can I have a Snack Hug? and so on.

Now during this time I was spending my days at my drawing board trying to come up with a story for a bear. I hadn’t written a book with a bear as a main character and I thought it would be a nice, fun thing to draw. (When you know a picture book takes anything from 4-6 months to produce these considerations are important).

Well, I wish I could tell you that it wasn’t long before I made a connection between bears and hugs but, I’ll be honest, it was the best part of a week, skipping between types-of-hugs and bear story-ideas. It’s obvious now! But once I’d made the connection the story pretty much wrote itself.

I’m often asked ‘which comes first, the writing or the drawing?’ The simple answer is, for me, they are both part of the same process.  In this case, once I’d had the story idea for a-bear-looking-for-a-hug I turned to my sketchbook. I started to draw bears hugging varies things.

HD early pencil

As you can see from these early sketches a character may start out looking quite different before I settle on the right ‘look’ and before it is finally published.

HD early1

This is the first colour sample I did.

HD early2

He’s getting pretty close here. Still a pre published version, but it was enough to start drawing the roughs for the story.

(Douglas is not the only character to have transformed as the stories and books have progressed. Take a look at Rabbit in the first book and compare him to the second title Don’t Worry Hugless Douglas).  

Coming up with titles

The title of a book and the names of characters can be tricky. By the time I began to think seriously about these details I had already written and sketched out the story. I made a list of nice sounding words, and titles that related to the bears predicament;

Cuddle

The Cuddle Muddle

Hug

Huggy

‘The Bear with No Hug’

“Where is my Hug?

The Hug Hunt

Hunting Hugs etc

Well, somewhere down that list I wrote ‘Hugless’ and, with half my mind still searching for a name, I found a happy rhyming match with “Hugless Douglas!”

It was only much later, on listening to an episode of Porridge, the well known 70’s TV programme starring Ronnie Barker, that I heard a one line joke where someone is referred to as ‘Lugless Douglas.’ I almost certainly had that stored away in my brain when I wrote down Hugless Douglas but I didn’t make the connection until I heard the programme.

A happy accident or an unconscious coincidence? Either way, Hugless Douglas was born and I’m very happy that he is still busy jumping around the pages of picture books, for a good while yet, I hope!

 

The Secret Art of Sun Goblins

Ok, so Spring is just not happening at the moment. Time to bring out the heavy guns; tapping into The Secret Art of Sun Goblins. Nothing wrong with a bit of hankie waving…

MorrisDancing Goblin

Morris-Dancing Ghost Goblin

And if that doesn’t work (hard to believe but I guess it’s possible), then we might need to draw upon the dark gifts of…

Black Goblin

A BLACK GOBLIN.

He is of the firm opinion that pushing a finger up your neighbour’s nose is an excellent way to encourage a spot of sunshine.

Fighting Goblins

Failing that, it’s a barrel of live fish down the front of your pants.

FishPants Goblin

Works every time. Apparently.

 

 

 

 

 

Author/illustrator Chris Mould. All you need to know (without a doctor’s note)…

I’ve just spent the last few days with a good friend of mine, the very talented children’s author/illustrator Chris Mould. He was kind enough to invite me along with our great friend Emma O’Donovan, better known to some for her online presence as the book reviewing blog The Book Sniffer. The deal was he would put up with our company for the w/e. We would be fed, driven around and generally pampered in exchange for being dragged along to his exhibition SPINELESS – Dissecting the Art of the Children’s Book which is currently being shown at the Museum of Hartlepool.

Mould Ex2


Y’know actually, it wasn’t as bad as I thought.

I’m joking of course. Chris really is one of the best illustrators around, he has been for a while in my opinion. And I’m delighted to say he has just been shortlisted for the prestigious Kate Greenaway Medal for best illustrated children’s book of the year for his wonderful book Pistols ‘n’ Pirates.

Regular visitors will know that I usually let the pictures do the talking. No change here really, other than to say that looking at Chris’ work reminds me how important it is for an illustrator to have the ability to draw. I worry that this basic requirement appears not to be of primary importance these days (enough said). Chris is a wonderful draughtsman. Lively and full of character, he’s a master of the black and white line. Oh, and have I mentioned he can write? Check out his glorious series Something Wickedly Weird and you’ll know exactly what I’m talking about. (Do check out the fabulous website).

Mould Ex3

 Emma showing off Chris’ tote bag design.

Mould Ex4

Sadly, the poor quality of these photos don’t do justice to these remarkable originals.

Mould Ex5

Chris’ artwork was beautifully displayed.

Mould Ex7

With a chance to see pages from his sketchbooks…

Mould Ex6

 …and a rare opportunity at some recent work: painting random pebbles found on a beech while on holiday.

Mould Ex8

As I say, his black and white work is something else (again, apologies for the poor quality).

Mould Ex12

Here’s Chris not looking self conscious while I fumble with my iPhone.

Mould Ex13

 Chris demonstrating the importance of not touching the artwork with sticky fingers.

Mould Ex14

Chris and Emma relaxing in the reading area.

Mell:Mould

Finally, me and Chris. We’re not doing ourselves any favours with this one.

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Check out Chris’s blog for current projects and sketchbook shenanigans.

Wise Books

WiseBooks

The Lesser-Spotted Book Owl

This owl sketch is winging its way to Wise Books, a recently opened charity bookshop. The sketch will be part of a future auction to raise funds for FSW. The Family Support Work Charity plans to raise awareness for the work they do with families dealing with various social challenges, from poverty, un-employment, mental health issues and bereavement, across the South East.

WiseBks photo2

You can follow Wise Books on Twitter here.

 

Recent online shenanigans…

Social Media ImageI created this image when I first launched this blog, along with Twitter and Facebook. Clearly, I was feeling cautious about how life may be affected.

Well, on the whole I have been very content. But yesterday I had a call that pulled me up short and forced me to reflect on just how I felt about life online, social media, etc. The phone call came from my site designer who said that my blog had been deleted by accident (I won’t bore you with the details. These things happen). So I contacted my server who said that any manual deleting meant that it was irretrievable (something I’m still finding very hard to believe, but I’ll leave it there). Again, I’ll spare you the details other than to say that my site designer worked diligently all evening and, against all the odds, managed to retrieve all the files. So in the end, apart from a restless couple of hours, all is well.

But it made me realise just how transient life is online. Here one minute, gone the next. This blog has been going for over two years now and I can honestly say, despite my initial reservations, that I’ve really enjoyed the journey. Not only is it an opportunity to showcase my work but I’ve learned a little about me along the way. (Don’t worry, this isn’t going to get heavy).  But yesterday’s news, for those few hours, made me reflect on just how I felt suddenly losing the last two years of the material from this blog and I have to say, I did feel a curious sense of loss. I began to think it was like losing artwork in a studio fire (every artist’s nightmare), but quickly realised it wasn’t the same at all! The truth is all the material I blog is still with me so if the blog had died I would have simply created a new one and started over. Not a total disaster.

All this puts me in mind of a conversation I had with an illustrator friend a few years back who had started to illustrate digitally. ‘How do you find it?’ I asked. “The only thing I don’t like,’ he said, ‘is that I haven’t got anything physical to show for it. I’m used to creating original artwork but I haven’t produced anything like that for a year now.’ I know what he means. I don’t use photoshop for my work at all but if I did I’m sure I would feel the same.

I’m not sure where I’m going with this other than to say since I began social networking, something I genuinely kept at arms length for many years, I’ve grown to enjoy and possibly rely on the virtual world that has become part of my working week. At least in part. The thought that some of that had disappeared last night was not a happy one, and I guess it has surprised me by just how strong that feeling was. It’s that old cliche, you don’t realise how much you miss something until it’s taken away. On top of which, I’ve been genuinely amazed by the supportive comments from many of you, virtual friends, most of whom I’ve never meet but who I honestly value and appreciate! So thank you everyone, I really do appreciate all you support. Of course I’m happy and relieved that my blog has survived. It has helped me clarify how important a part of my work it has become. But not too important, I hope. The trick is to reach the right balance between ‘life online’ being a beneficial aspect to my work and not a necessity. Well, that’s how I’d like to see it working for me at least.

Actually, a quick footnote on Facebook: I’m least active on Facebook and have kept it at arms length. A little harshly perhaps as most of the support yesterday came from there! So I will engage a little more with it and try and understand Facebook etiquette for one thing – I’ve yet to Like anybody or anything. Still not sure what it means but I’ll get there. I’m a slow burner when it comes to learning about this stuff. Ok, when I say slow burner it’s less of the ‘burn’ and more of the ‘slow.’ I’m not proud.